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Лекторий, Севкабель Порт

This program is dedicated to the phenomenon of flicker — one of the most radical techniques of experimental cinema, which changes conventional ways of perceiving image and sound, transforming them into a liminal cinematic experience. The historical starting point here, of course, was Tony Conrad’s structural film The Flicker (1966), which opened up a new field of possibilities for the authors of experimental cinema, who subsequently used this technique with varying degrees of intensity.

However, it was important for me to intentionally expand the notion of flicker itself and to trace how this principle manifests across a variety of examples: in the pulsation of sound, ultra-rapid editing, phase repetition, color mixing, the duplication of text, and the layering of abstract imagery.

All of this makes it possible to address the potential fragmentation of film — its capacity to break apart into discrete impulses, ruptures, and intervals. Yet it is precisely through the rhythm and tension of these ruptures that filmmakers reassemble their works, transforming fragmentation into a unified sensory experience.

62 мин

Программа:

1. Юнг Ан Таген, A Flock of Rotations (2025)
2. Тесс Мартин, How Now, House? (2025)
3. Алексей Смолин, Sourceless (2026)
4. Елизавета Жарикова, Цикл Центрифуга (2026)
5. Сергей Мурашов, Pixel generation(s) (2026)
6. Лонг Фам, Lingua Automata (2026)

Санкт-Петербург, Россия